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My rails is finished. What now? – How to consign in Ableton Live

• October 6, 2021
• Ableton Live, Ableton Live Tips, Mastering, Mixing, Software, Tutorials
• By Vanesa Paris
• 2 Comments

So, you have your track finished, either to already publish it on your social platforms or to send it to a mastering engineer. However, when yous want to export your runway from the DAW, you see several options that may non be as clear as you'd like and you may feel a bit lost. That is why nosotros are going to have a look at each of them and give some directions on which ones to set up in each case.

And so, let's apply the shortcut Shift + Cmd + R (on Mac) or on Ctrl + Shift + R (on windows) to open up the "Export Audio/Video" menu and let'due south start!

Equally you lot can meet, this window is divided into different sections: selection, rendering options, PCM, MP3, Soundcloud and Video. Notwithstanding, we are going to focus on the rendering and the PCM sections , which are the ones that give place to more than defoliation.

Selection Options

This department offers several options for which audio signal to return, which can be:

• MASTER: It renders the mail service-fader signal at Live's Primary output. If you are monitoring the Master output, you can be sure that the rendered file will contain exactly what you hear.
• ALL INDIVIDUAL TRACKS: It renders the post-fader signal at the output of each private track , including return tracks and MIDI tracks with instruments. Live will create a separate sample for each track. All samples volition have the same length, making it easy to marshal them in other multitrack programs.
• SELECTED TRACKS Only: This is identical to the All Individual Tracks pick, simply only renders tracks that were selected prior to opening the Export dialog.
• SINGLE TRACKS: This renders the post-fader indicate at the output of the selected track or track group. You'll be able to choose the one yous like because you will see all your tracks listed at the terminate, including the return tracks , which start with letters (A-Reverb, B-Delay, C-Compression, etc.)

The other Choice fields decide the start time and length of the exported material:

• Return First — sets the position at which rendering will brainstorm.
• Render LENGHT — determines the length of the rendered sample.

TIP! — A fast way to set both the Render Start and Length values is to select a range of time in the Organisation View prior to invoking the Consign Sound/Video command. But remember: a rendered sound file contains just what you heard prior to rendering. So, for instance, if yous're playing back some combination of Session View clips and Arrangement material, then that is what will exist captured in your rendered file, regardless of which view is active when you lot render.

Rendering Options

The Export dialog offers several sound rendering options:

• INCLUDE RETURN AND MASTER EFFECTS: If this is activated, Live will individually return each selected runway with any render tracks used by that rails, too as effects used in the Master track. This is especially useful when rendering fabric for a live performance, or when providing stems to a mixing engineer or remix artist.
• Render Equally LOOP: If this is activated, Live will create a sample that can be used as a loop, which is very useful when you don't want your effects to be noticeable once the loop finishes and starts again. In other words, this pick will create modest fades at the beginning and finish of your file to prevent clicking.
• CONVERT TO MONO: If this is activated, Live will create a mono file instead of a stereo file.
• NORMALIZE: If this is activated, the sample resulting from the render process will be normalized, which means that the file will be amplified so that the highest acme attains the maximum available headroom. Not recommended if you are going to primary your track after since you volition end up with no headroom to apply whatsoever processing.
• CREATE ANALYSIS FILE: If this is activated, Live will create an .asd file that contains assay information well-nigh the rendered sample. You should select this if you intend on playing this over again in Alive, but not if you lot but want a final bounciness.
• SAMPLE Charge per unit: Equally you know, audio is a moving ridge or a fix of them. This wave has a height that varies over time. To digitally capture a audio moving ridge it has to exist subdivided into a certain number of samples. The more samples of the wave yous have, the more true-blue it'll be to the original moving ridge. For instance, imagine a digital photo: the more pixels information technology has at the time of capture, the college the quality of the photo.

In summary, the sample charge per unit is the amount of audio samples you take in one second.

We expect recordings to "sound" better at higher sample rates. But the reality is that if we record at high sample rates, with a very expert sampling, our audio will not "sound improve", but will exist more detailed. And plainly, if our audio source is bad, our microphones and preamps as well, and and so on, even if we record at 192000, the result will not exist ameliorate.

In Ableton, your choice of sample rate when rendering works as follows:

• If y'all select a sample rate equal to or college than the rate you're using in your project (as set in the Audio tab of Live's Preferences), Alive will export in a single step, at the sample charge per unit you've chosen in the Export dialog.
• If you consign at a sample charge per unit that is lower than your current project sample rate, Live will first export at the electric current project sample rate and and so downsample the file in a second pace using a high-quality procedure. Notation that this may take a few moments.

To burn information technology to an audio CD or to export it into a standard MP3 file, choose 44100. For mastering choose the 'sample rate y'all had used throughout your production or the mastering studio asked for.

Encoding Options

• ENCODE PCM: Pulse Lawmaking Modulation (PCM) is a modulation process used to transform an analog betoken into a sequence of bits (digital signal).

If activated, a lossless audio file is created.  WAV, AIFF and FLAC formats are available for PCM consign. If, on the other hand, yous prefer an MP3 file, activate  the Encode MP3 and a 320 kbps MP3 file will be created. It is possible to export PCM and MP3 simultaneously. All the same, if neither toggle is enabled, the Export button will be disabled. As for the SoundCloud option, if activated, a helper application will launch that volition let you to upload your exported audio file to your SoundCloud account.

• FILE Blazon: WAV, AIFF, and FLAC formats are available for PCM export, equally nosotros said before.

• Chip DEPTH: In digital audio using pulse-code modulation (PCM), chip depth is the number of bits of information in each sample, and it directly corresponds to the resolution of such sample. Examples of bit depth include Compact Disc Digital Audio , which uses xvi bits per sample, and DVD-Audio and Blu-ray Disc which can back up upward to 24 bits per sample:

Come across in the post-obit picture the difference betwixt the bit depth and the sample charge per unit:

To burn it to an audio CD or to upload information technology to your social media platforms, choose sixteen. For mastering choose the bit depth you had used in your Alive Set or the bit depth the mastering studio asked for.

• DITHER OPTIONS — If you are rendering at a bit depth lower than the 1 y'all were producing with, cull one of the dither modes. Dithering adds a small amount of dissonance to rendered audio, but minimizes artifacts when reducing the bit depth. Note that dithering is a procedure that should just be applied once to whatsoever given sound file. If y'all plan to do further processing on your rendered file, it's all-time to render to the aforementioned bit depth you lot were producing with to avert the need for dithering at this stage.

• By default, Triangular is selected, which is the "safest" way to use if at that place is any possibility of doing additional processing on your file.
• Rectangular mode introduces an fifty-fifty smaller corporeality of dither noise, merely at the expense of boosted quantization fault.
• The three Prisoner of war-r modes offer successively college amounts of dithering, but with the dissonance pushed in a higher place the audible range.
  • Prisoner of war-r 1 is optimized for low dynamic range program, such as highly compressed pop music.
  • POW-r two is optimized for less complex program, such as spoken word
  • POW-r iii is optimized for complex, high dynamic range program, such as orchestral performance.

Ready? Then click on "consign" and that'due south it!

We promise this article was useful and helped to solve some basic but sometimes difficult concepts about rendering sound. If you accept more questions, don't hesitate to get out united states a comment. And if we think information technology'due south an interesting topic you are touching, nosotros tin can even create a whole article out of information technology! See you at our next post and have a happy production time!

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Source: https://www.aulart.com/blog/my-track-is-finished-what-now-how-to-export-in-ableton-live/

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